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A moving and unsettling exploration of a young man's formative years in a country still struggling with its past
As a Jew in postwar Germany, Yascha Mounk felt like a foreigner in his own country. When he mentioned that he is Jewish, some made anti-Semitic jokes or talked about the superiority of the Aryan race. Others, sincerely hoping to atone for the country's past, fawned over him with a forced friendliness he found just as alienating.
Vivid and fascinating, Stranger in My Own Country traces the contours of Jewish life in a country still struggling with the legacy of the Third Reich and portrays those who, inevitably, continue to live in its shadow. Marshaling an extraordinary range of material into a lively narrative, Mounk surveys his countrymen's responses to "the Jewish question." Examining history, the story of his family, and his own childhood, he shows that anti-Semitism and far-right extremism have long coexisted with self-conscious philo-Semitism in postwar Germany.
But of late a new kind of resentment against Jews has come out in the open. Unnoticed by much of the outside world, the desire for a "finish line" that would spell a definitive end to the country's obsession with the past is feeding an emphasis on German victimhood. Mounk shows how, from the government's pursuit of a less "apologetic" foreign policy to the way the country's idea of the Volk makes life difficult for its immigrant communities, a troubled nationalism is shaping Germany's future.
- Sales Rank: #729864 in eBooks
- Published on: 2014-01-07
- Released on: 2014-01-07
- Format: Kindle eBook
From Booklist
Mounk’s family was devastated by the Holocaust; those who survived were scattered across Europe after WWII. Yet Mounk’s immediate family carved out an existence in their native Poland, most as loyal Communists, until anti-Semitic party purges in the 1960s and ’70s led them to settle in Germany, where Mounk was born, in 1982. As a young Jew growing up in postwar Germany, his revelation to friends and acquaintances of his Jewish identity elicited a variety of responses, some predictable and some surprising. Some people were openly hostile, spouting blatantly racist screeds. Others reacted with what is best termed sullen silence, while others felt compelled to overreact with a stance of exaggerated philo-Semitism. More recently, Mounk has detected a shift in attitudes of many Germans, which has broad implications beyond relations with Jews. He perceives a sense that Germans feel that their “guilt” has been expiated by the passage of time, which results in a rise of German nationalism within Europe, unapologetic hostility to immigrants, and even a reassertion of claims of German “victimization.” --Jay Freeman
Review
“[Mounk's] book combines anecdote and analysis in a witty and engaging manner that belies his deeply serious purpose.” ―Daniel Johnson, The Wall Street Journal
“Informative and entertaining . . . What is it like to be a Jew in Germany in the postwar era? What would lead even a handful of Jews to choose to make their lives in the country that was responsible for the Holocaust? And how did the descendants of the perpetrators treat the descendants of the victims? These are the questions at the heart of Mounk's book, which starts out as a memoir but evolves into something more like a history and a polemic. Accessibly written and full of humor, Stranger in My Own Country uses Mounk's own experiences to shed light on postwar German history and current German politics.” ―Adam Kirsch, Tablet
“How do things stand with German Jews [today]? In Stranger in My Own Country, Yascha Mounk gives an artful and thoughtful answer . . . Mounk's personal anecdotes do a lot to make his mindset understandable, but he also deals with the big picture. The best feature of his fine book is how he interweaves macro and micro levels of discussion. He does this, moreover, in graceful prose, which helps to showcase his talent for disentangling paradoxes in original ways.” ―Paul Reitter, Bookforum
“[Mounk] is a gifted raconteur and aphorist, and if you want to learn about Germany's preverse, absurd love for its Jews--the flip side, or the bastard child, of its historical anti-Semitism--this book is a fine place to start . . . Mr. Mounk skillfully puts Germans and Jews on his analyst's couch . . . There is an adage, usually attributed to an Israeli psychoanalyst, that the Germans will never forgive the Jews for Auschwitz. If you want to understand how that can be, read this book.” ―Mark Oppenheimer, The New York Times
“Mounk's account, one of the first on this subject addressed to a general English-speaking readership, is an intriguing and sometimes disturbing glimpse into an aspect of Jewish life of which most American Jews may not be aware.” ―Martin Green, Jewish Book Council
“[A] rich and remarkable memoir . . . Mounk's engaging and provocative book amounts to a kind of intellectual and emotional self-portrait of the author himself and, at the same time, a historical and cultural profile of post-war Germany.” ―Jonathan Kirsch, Jewish Journal
“In Stranger in My Own Country, Yascha Mounk compellingly illustrates how 'the Jewish question' continues to shape public consciousness and everyday interactions in modern Germany, not least among Gentiles afflicted with the 'philo-Semitism of good intentions.' Deftly interweaving political history and personal experience, Mounk argues convincingly that excessive guilt can be no less toxic than disavowal when it come to reckoning honestly with the past. His book offers no easy answers to those seeking liberation from the burdens of history, and indeed shows how dangerous and misguided this impulse can be.” ―Eyal Press, author of Beautiful Souls: Saying No, Breaking Ranks, and Heeding the Voice of Conscience in Dark Times
“Clear, unpretentious, wide-ranging, and touching, Stranger in My Own Country is a story about the patience and the courage necessary for reconciliation. As perspicacious in its argument as it is moving in its anecdote, it's the one book that ought to be read by everybody who suspects there's nothing left to say about the Jews and the Germans. It marks the debut of a writer we'll be likely--and lucky--to count among the most useful of our public intellectuals.” ―Gideon Lewis-Kraus, author of A Sense of Direction: Pilgrimage for the Restless and Hopeful
“A solid combination of moving personal saga and thought-provoking research.” ―Kirkus
About the Author
Yascha Mounk is a PhD candidate in political thought in the Department of Government at Harvard University and is the founding editor of The Utopian. He frequently writes for newspapers and magazines, including The New York Times, The Wall Street Journal, the International Herald Tribune, The Nation, Slate, and Die Zeit.
Most helpful customer reviews
0 of 0 people found the following review helpful.
This is an excellent discussion of the attitudes of today's German people toward ...
By AJF
This is an excellent discussion of the attitudes of today's German people toward Jews and toward the crimes of the Third Reich. The account of the author's youth in Germany is informed by his family's history as well as German history.
0 of 0 people found the following review helpful.
Good review of german leadership ost ww but less trenchant ...
By Ruth Gustafson
Good review of german leadership ost ww but less trenchant in terms of dynamics of states built on emergency measures that define the true citizen.
18 of 20 people found the following review helpful.
A personal story and the difficult interaction of two peoples
By SL
A smart and fascinating study of an impossible situation told in the context of Mounk's own experiences growing up in Germany: Germans and Jews trying against all odds to figure out how to be normal with one another, and failing. Not, as Mount takes pains to point out, for want of trying, but the historical legacy, with all its attendant ambivalence, guilt and resentment, is just too overwhelming to be overcome with mere goodwill. Mounk's survey of the ongoing tensions emanating from the Nazi past extend beyond autobiography to German cultural life (e.g., Martin Walser, Günter Grass) and public policy (debates on participation in NATO- or U.S.-supported wars, demands on the weaker economies within the EU). - You have to feel sorry for the Germans, who can't seem to win for losing. (Mounk is careful to emphasize, however, that white Americans, with our own painful history and fraught race relations, have no reason to be smug.) While reading this book, I learned from the newspaper that some 30,000 Israelis, mainly young people, are now living in Berlin, which got me to wondering whether the problems Mounk describes are to some extent trumped by the "normalcy" of being Israeli. - I found the most moving section of the book to be Mounk's description of German Chancellor Willy Brandt's falling to his knees at the Warsaw Ghetto monument in 1970: "For one long moment there is no movement. Faces freeze. Nobody breathes. After an eternity, Brandt's breath becomes visible: he exhales, perhaps surprised by his own gesture, undoubtedly relieved to have done justice to the occasion. He, who has no personal guilt, has issued a moving plea for forgiveness. He, who need not apologize to anybody, has kneeled on behalf of those who dare not or cared not to. It was a gesture that did as much for Germany's reconciliation with the victims of the Third Reich as thirty years [1949 - 1970?] of democratic rule."
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