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Sarah Thornhill, by Kate Grenville
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“A wrenching conclusion to a tough-hearted trilogy . . . Exuberant, cruel, surprising, a triumphant evocation of a period and a people filled with both courage and ugliness.”—The New York Times Book Review
When The Secret River—a novel about frontier violence in early Australia—appeared in 2005, it became an instant best seller and garnered publicity for its unflinching look at Australia’s notorious history. It has since been published all over the world and translated into twenty languages. Grenville’s next novel, The Lieutenant, continued her exploration of Australia’s first settlement and again, caused controversy for its bold view of her homeland’s beginnings. Sarah Thornhill brings this acclaimed trilogy to an emotionally explosive conclusion.
Sarah is the youngest daughter of William Thornhill, the pioneer at the center of The Secret River. Unknown to Sarah, her father—an ex-convict from London—has built his fortune on the blood of Aboriginal people. With a fine stone house and plenty of money, Thornhill is a man who has reinvented himself. As he tells his daughter, he “never looks back,” and Sarah grows up learning not to ask about the past. Instead, her eyes are on handsome Jack Langland, whom she’s loved since she was a child. Their romance seems idyllic, but the ugly secret in Sarah’s family is poised to ambush them both.
As she did with The Secret River, Grenville once again digs into her own family history to tell a story about the past that still resonates today. Driven by the captivating voice of the illiterate Sarah—at once headstrong, sympathetic, curious, and refreshingly honest—this is an unforgettable portrait of a passionate woman caught up in a historical moment that’s left an indelible mark on the present.
- Sales Rank: #417891 in Books
- Brand: Brand: Grove Press
- Published on: 2013-06-18
- Original language: English
- Number of items: 1
- Dimensions: 8.18" h x .90" w x 5.58" l, .83 pounds
- Binding: Paperback
- 320 pages
Features
- Used Book in Good Condition
Review
"A wrenching conclusion to a tough-hearted triology . . . Grenville shies away from nothing. . . . Exuberant, cruel, surprising, a triumphant evocation of a period and a people filled with both courage and ugliness."—The New York Times Book Review
"Laudable . . . exquisite and vibrant."—The Atlantic
"Both brilliant fiction and illuminating personal history."—The Independent
"Beautifully written . . . Can be read as a dissection of a cultural clash or an allegory for colonialism, but at heart, the novel uses fiction to search for reason within history."—Kirkus Reviews (starred review)
“Grenville’s extraordinary trilogy is a major achievement in Australian literature.”—Australian Book Review
“It is with often marvelous vividness and clarity that Grenville evokes Sarah’s world. . . . Through the eyes of this young woman, the physical and cultural strangeness of a nation still clambering into existence spring richly to life.”— The Guardian
"[An] exceptional historical novel, with mutilayered characters and a beautifully styled plot."—Publishers Weekly
"Grenville's Early Australia trilogy comes to a brilliant conclusion. . . . Lovingly detailed . . . Full of fascinating characters."—Booklist
“Sarah Thornhill displays [Grenville’s] gift for creating character full blaze. . . . A great work of truth . . . What unfolds is a box of surprises, richly wrapped in language so colorful and lively, you can taste it. . . . You believe in [Sarah’s] honesty, her perceptiveness, her way of ‘reading’ others. . . . A wonderful novel.”—The Scotsman
"Beautifully written and engrossing."—The Mail on Sunday (4 stars)
"I was thrilled to find myself back beside the river I’d come to know so well in The Secret River.The power with which Kate Grenville evokes places and people is so remarkable that I could remember the smell of the air there—and it was no surprise to discover that Sarah Thornhill’s story is as gripping and illuminating as her father’s was."—Diana Athill
“[A] powerful saga of colliding histories [that] blends romance and honesty.”—The Independent (Ireland)
“A moving piece of fiction . . . Powerfully realized . . . Sarah Thornhill is the book of a writer of the first rank. . . . A haunting performance.”—The Age (Australia)
“A beguiling love story . . . The voice of illiterate Sarah is Grenville’s great triumph. . . . An imaginatively convincing recreation of history and a celebration of country tenderly and beautifully observed, but above all it is a powerful plea for due acknowledgement and remembrance of the veils of the past.”—Adelaide Advertiser
"[A] captivating tale of a woman's fight to find an identity of her own in a 'new' colony. [Grenville's] wonderful account shows how hard it can be simply to be yourself. . . . A deeply moving conclusion to a romantic but by no means sentimental story."—The Telegraph
“Revisits the fascinating, trouble territory of the history wars. . . . Grenville’s vivid fiction performs as testimony, memory, and mourning within the collective post-colonial narrative.”—The Australian
“This is a beautiful book, one that pulses with insight and compassion . . . Grenville’s descriptions are a delicate fretwork of words. . . . Not only is Sarah Thornhill gorgeously written, but the love story at its heart is as real and true as it is unexpected. This is a novel that will be treasured by generations to come. It is that rare book that manages to wholly engage both head and heart. Grenville has done a splendid job.”—The Canberra Times
"Grenville's great strength is her sensual fleshing-out of the past. . . . Her vision of our colonial history is at once compelling and fable-like, as she writes contemporary white self-knowledge back into it."—The Monthly (Australia)
“[A] beautifully crafted historical reimagining.”—New Zealand Listener
“A strong and disturbing narrative.”—Sydney Morning Herald
"[Grenville had] a gift for eminently readable narrative. . . . Touching, truthful, and beautifully written, Sarah Thornhill exposes us to sickening events in early colonial Australia that may well have happened, and should never be forgotten. A must read."—Booktrust
About the Author
Kate Grenville's works of fiction include The Secret River, winner of the Commonwealth Writers' Prize for Best Book and short listed for the Man Booker Prize, and The Idea of Perfection, winner of the Orange Prize for Fiction. She lives in Sydney.
Visit her website at kategrenville.com
Most helpful customer reviews
10 of 10 people found the following review helpful.
`Nothing ever gone, just you got to know where to look.'
By Jennifer Cameron-Smith
Sarah is the youngest child of William Thornhill, the figure at the centre of `The Secret River'. William was a transported convict, now `an old colonist' who has a family, land along the magnificent Hawkesbury River, and money. No-one had settled this land before William, but even so, when he surveys his estate (on the last page of `The Secret River'): `He would not understand why it did not feel like triumph.' Readers of `The Secret River', knowing of the `affray' at Blackwood's will understand. But for much of Sarah's story, this event is an unknown part of the past.
Born in 1816, Sarah - called Dolly by her family - has played no part in the events of the past. Sarah's story is told in the first person. We learn of her life and her loves, and her illiteracy shapes the narrative in particular ways. New South Wales is home for Sarah and her generation: they cannot share their parent's nostalgia for Britain.
Sarah's first love is Jack Langland. Jack is the eldest son of Jack Langland, another settler, but not of Jack's wife: `Jack's mother was not Mrs Langland. She was a darkie, long dead.' Jack is the best mate of Will, William's son, and is a well-known to, and liked by most members of, the Thornhill family. But events, assisted by Sarah's stepmother, conspire to separate Jack and Sarah.
After Sarah's brother, Will, drowns on a sealing expedition to New Zealand, Jack brings Will's half-Maori daughter to her grandfather. This is a pivotal and ultimately very unhappy event in Sarah's story and has echoes from William Thornhill's past.
Sarah marries an Irish settler, John Daunt, and moves with him to the edge of European settlement. This is the part of the story I enjoyed most: the growing bond between John and Sarah. Here Sarah's voice is strongest and her world comes to life.
`That was what it was to belong to a place. To be brought undone by the music of the land where you'd been born.'
I didn't care for the end of the novel: while Sarah's journey to New Zealand makes its own form of sense for the story, it didn't work well for me in terms of the character. And it's hard for me to reconcile the following passage (beautiful as it is) with Sarah's illiteracy:
`How will I ever find a way to tell everything that brought me here? How I found myself in that place where the winter never stops blowing and nothing lies between the land and the ice at the bottom of the world but an ocean full of dark water? How tell the story of me and Jack Langland and a girl who only ever had someone else's name? Of those things left undone that we ought to have done, and those things done that we ought not to have done?
Rippling away into all those lives, down along the fathers and daughters and granddaughters. Generation after generation, the things joining us and the things cutting between us. All made by something done so long ago.'
This as a story about love, about family secrets, and about the hidden aspects of Australia's past. But I found that I did not care as much for Sarah's story as I did for William's. There are a few reasons for this, one of which is the unevenness of Sarah's voice, and another is the way the story ends. Although the three books are loosely linked as a trilogy, it isn't necessary to read `The Secret River' and `The Lieutenant' first.
I'd rate this book somewhere between 3 and 4 stars.
Jennifer Cameron-Smith
10 of 11 people found the following review helpful.
Pete's Books
By Pete's Books
I absolutely loved The Secret River and The Idea of Perfection, and I enjoyed The Lieutenant, but this latest effort is my least liked novel from this writer. I was definitely disappointed with this follow-up to The Secret River. I enjoyed most of the first 1/3 of the text but it quickly became too much of a soap opera after that, and I doubt few men would enjoy reading it. I might be wrong, but I think it is geared for the light romance reader, just in time for Xmas 2011. Unfortunately, I thought it was a follow up to The Secret River that probably should have been avoided.
4 of 4 people found the following review helpful.
History Isn't Always Pretty?
By E. M. Griffith
**review of an advanced publication copy of 'Sarah Thornhill' by Kate Grenville**
Unlike many other reviewers, I haven't read earlier books of the series, which might make a difference for those who have. The view into the Thornhill family from Sarah's eyes during what seems to be a transitionary period in Australia's history is interesting, yet for this reader seemed almost too superficial. What's clear is Sarah is different from the rest of her family members while remaining shaped by them... especially her father.
Perhaps part of the difficulty is its first person narrative style in a decidedly uneducated and niave voice from beginning to end? There's little proper grammar; it gets tedious after awhile. Other readers might find it artsy or refreshing, but I found myself wanting to skip past dialog.
Only in the final third of the book are we introduced to the real meat of the story and moral questions/lessons... history is often ugly with future generations bearing the shame of those who came before. No spoilers here, but the ending just didn't seem plausible in any way, and felt disappointing. Again, I didn't read earlier books in the series so your mileage may vary.
Given the true weight of its historical subject matter and moral struggle tied to that history, 'Sarah Thornhill' could have been a 5 star novel for any reader had the story been more fully and deeply developed.
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